To honor that literary format that has sustained so many Bardroom regulars, Budapest’s semi-regular of evening of live literature and music will feature a reading by Nicholas Parsons from his Worth the Detour: A History of the Guidebook. He is also the author of the Blue Guide Austria and Hungary: a Cultural and Historical Guide, and Vienna: A Cultural and Literary History. In addition, the Bardroom will host the jazz trio Maggie és a Muzsikások.

As usual, the event will be at Treehugger Dan’s Bookstore, Café & Lounge. Guests will also have a chance to win unique, local treasures when hosts Jeff Taylor and Kálman Farago test the audience’s knowledge on a range of obscure travel-related topics. All potential bards should be prepared to participate in the poetry writing contest, which will feature a touristic theme. The night’s best poem (determined by audience reaction) will earn a valuable prize. Furthermore, aspiring writers can claim spots for open mic reading.

Time: 19:30 – 21:00

Venue: Treehugger Dan’s Bookstore, Cafe & Lounge/Discover Hungary

Address: VI. District, Lázár u. 16.  M1 (Yellow Metro Line) station Opera, just off of Andrássy Ut., behind the Opera House.

Bardroom co-founder, David Hill, sent word to us that he is collaborating with Hungarian conductor, Gregory Vajda, on a work entitled ‘Gulliver in Faremido’. Gregory Vajda is currently conducting the Oregon Symphony Orchestra. Our esteemed colleague, David Hill wrote the text, while actor David Loftus serves as narrator. Click for further details and an interview. Congratulations, David!

We’re not so organized as to actually bring a camera, which is why the Bardroom photo archive is hit and miss. This time around, singer / songwriter / guitarist Rachel Hammond was able to help out. Or rather, her boyfriend / handler / photographer / support team. Thank you, Balázs!

Marisa Beahm Klein pleased us with poetry.

Rachel Hammond soothed us with song.

Aubrey Ramage-Lay marched us toward the gates of Hell.

Arlo took an open mic slot and rattled off three poems from memory. Just like that.

Bardroom hosts, Kálmán Faragó and Steven Carlson, waxed eloquent.

A good time was had by all last night at the Bardroom. Congratulations to Arlo from Massachusetts for his winning entry in the evenings poetry competition. Just goes to show that humor is always a crowd pleaser:

When I felt his Santa claws,

grabbing at my Xmas balls;

Of my eggnog I took a sip,

and crossed him off my Xmas list

Marisa Beahm KleinMarisa Beahm Klein has been writing poetry since elementary school when she released her first book of ‘pomes.’ Since then, she’s improved her spelling and has continued to explore the medium, tackling themes such as religion and travel through imagist pieces. Marisa grew up in Colorado and attended the University of Colorado-Boulder where she hosted weekly open-mics and competed for her school’s slam poetry team. After she earned a degree in journalism and cut her teeth as a daily news reporter, she moved to Budapest with her husband and continues to work as a journalist. Marisa will be reading selected poems her recently-published poetry collection, Opened Aperture.

1. What was your first (poem / piece of writing), and how bad was it?

“It was a poem written for an elementary school exercise, and it was pretty atrocious. Of course it contained the most rudimentary rhymes –  ‘there was a dog named bog that got lost in the fog …’ –  that only a Dr. Suess or Shel Silverstein could pull off with any grace. But, given that I composed it at the age of eight, I give myself some credit.”

2. What’s the last thing you read that made your hair stand up on end?

“‘What Big Girls Are Made Of’ by Marge Piercy. This whole poetry collection evokes modern feminism in a startlingly brave, sharp way. She can tackle any subject – from sexual harassment and religion to a simple butterfly – in an accessible way that’s both poignant and wry. I am totally smitten with her.”

3. What’s the last piece of literature that made you cry?

“Technically, it wasn’t literature since it’s a spoken-word poem, but it was Andrea Gibson’s ‘Say Yes.’ This Colorado poet is one of the most talented performers I’ve ever seen live, and this is a hugely passionate poem – it provokes the inspired-with-goose bumps kind of tears.”

4. What’s the worst thing about writing a book?
“Knowing when it’s finished. I could edit my writing forever, so I have to call a moratorium on tweaking and finally call it a day.”

5. Does poetry matter anymore?

“Since I am not a nihilist, I have to say yes. Does any writer say no to this?”


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